Joe Coscarelli, The New York Times Donald Glover and Rihanna in “Guava Island,” streaming on Amazon., Featured Image [dropcap]CNN[/dropcap] “Guava Island,” a new 55-minute film starring Donald Glover and Rihanna, was released as a limited-time free stream on Amazon overnight Saturday, during Glover’s headlining set as Childish Gambino at the Coachella Valley Music and Arts […]
View MoreTag: Black Films
With BlacKkKlansman, Spike Lee Sounds the Alarm About America’s Past and Present | The Atlantic
The director’s newest film follows a policeman who successfully infiltrated the KKK in the 1970s, but the story it tells is also very much about the U.S. today.
View MoreGet Hype for the BlackStar Film Fest With This New Trailer | Colorlines
With just a month until the seventh annual celebration of Black cinematic excellence, the team behind the Philly-based festival has you covered with a full dose of #BlackGirlMagic.
View MoreKahlil Joseph’s New Film Is Steeped in Harlem’s History. And His Own. | The New York Times
“All of a sudden, I’m a fine artist,” Mr. Joseph said. “All thanks to my brother.”
View MoreForgotten Black Women of Early Hollywood Take Center Stage at CAAM
Hollywood has long had a problem with representation and diversity, especially concerning anyone female and nonwhite.
View MoreReview: In ‘Crown Heights,’ Justice Delayed and Denied | The New York Times
… “Crown Heights” nonetheless makes a powerful argument that Colin’s imprisonment was hardly an anomaly.
View MoreWatch the Oldest-Known Surviving Film by an African-American Director – Smithsonian Magazine
Within Our Gates was Oscar Micheaux’s response to a racist classic.
View MoreMoonlight Director Barry Jenkins on What Scared Him Most About Making Such a Personal Film – Slate
In advance of the Oscars this Sunday, where Moonlight is up for eight awards including Best Picture, we’re reprinting this conversation from October 2016 between the film’s writer-director Barry Jenkins and Slate’s Aisha Harris.
View MoreIf You Name It Love Jones, They Will Come
But they’ll probably leave feeling ripped off and disappointed.
View MoreBlack Films Matter
Will ‘The Birth of a Nation,’ Nate Parker’s provocative slavery saga, attract African American audiences and the Academy?
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