At the Seattle Art Fair in the summer of 2016, the Togolese artist Clay Apenouvon wrapped the booth of Mariane Ibrahim Gallery, a local black-owned contemporary art space, in ripped-up black plastic bags. Inside this installation (entitled Film Noir, 2016) were partially visible works by the gallery’s artists of African descent, including photographs by the African-American self-portraitist Ayana V. Jackson.
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These 20 Female Artists Are Pushing Figurative Painting Forward | Artsy
“We are living in a time that’s ripe with debate over what it means to be a human in one kind of body or another,” says Emily Mae Smith.
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